Given that depression can be a fragile and, at times, controversial topic, what made you decide to write a book about it?
Depression can feel like a solo sport. There’s no team backing you up. It’s like swimming or gymnastics; once you get going, it’s up to you to make it to the other end of the pool or the mat. (I was told this is why writers get depressed, because writing isn’t really a team effort).
Most of the resources I found on depression began with the “solo” premise: It’s up to you, go get help, here’s this method, try this and this. But that sort of individualized isolation was very vacuum-ish to me. Life doesn’t work in such a frictionless shrinkwrap; we affect others in a causational web and we need their help, too.
So I started with the premise: How do we collectively get through depression? How do we manage the stress and cause-and-effect and even the global consequences of depression? I wrote the book for both those who struggle with depression and those who don’t. I wanted to bring in every person involved, because depression affects families, cultures, marriages, churches, all of it.
I always knew that the topic of depression itself was a game of telephone — “I’m depressed” sounds like “I’m antisocial” to most people — but when I got to the research and surveys, it was even worse than I had thought. There was this nearly impermeable membrane around the discussion of depression. And then this phrase kept popping up in my head: If you could just know how hard it really is …
And as cheesy as that might be, it became the title of the book. My whole goal was to peel back that weird membrane around depression so, if anything, there would be more empathy on every side of the discussion.